Through Her Eyes

3 March – 4 April 2026

Friendly Grounds, 232 Old Brompton Road, London, UK

Through Her Eyes brings together the work of Olga Bonitas, Anna Kiparis, and Tatiana Fetisova: three artists whose practices are rooted in personal experience yet unfold through distinctly different visual languages. Moving between motherhood, play, and emotional balance, the exhibition traces how these lived realities take shape in form, colour, and material.

Olga Bonitas, Not Just a Tree, 28×38 cm, (Fragment)

£550

Olga Bonitas, Tree Adventure, 28×38 cm

£550

Olga Bonitas, High up above, 38×57 cm

Olga Bonitas, High up above, 38×57 cm

 £750

Olga Bonitas shows works from her watercolour series Watching Them Grow, including Tree Adventure and Not Just a Tree. Her work is based on the reality of motherhood, exploring the conflict between artistic production and mothering. Made in a fragile yet direct way, these works highlight experiences that are often hidden from view, placing mothering not as a background but as a foreground subject for artistic exploration

Anna Kiparis, The Piece, 40х80 cm

£720

Anna Kiparis, Carousel, 10×15cm

not for sale

Tree Adventure, 28x38 cm, £550

Anna Kiparis, Panopticon and Carousel, 80×90 cm

£890

Anna Kiparis explores painting as a system of play. In The Piece, Panopticon and Carousel, and Carousel, she builds visual systems that derive from games—chess, cards, circular motion—in which repetition and rules determine the composition. The presence of the cow as a recurring figure moves through these systems as both player and observer, creating a subtle tension between control and chance, strategy and imagination.
Tatiana Fetisova :: Balancing Oil on Canvas 50x60 cm
Tatiana Fetisova:: Chasing the air

Tatiana Fetisova, Chasing the air, 50×60 cm

£985

Tatiana Fetisova’s style can be defined as “Balloonized Realism” in which, as can be seen in her works Balancing and Chasing the Air, the artist combines realistic figurative art with metaphoric balloons that symbolize vision and emotion, and in this dream-like scene of a child pushing an empty stroller into a cloud of floating soft pink spheres, the artist engages with the neural structures of memory formation in infancy while also referencing the traditions of Symbolism and contemporary figurative art that engage with innocence, perception, and the metaphysical space between inner and outer worlds.

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